Feature, limited series, ongoing series, short — what each one actually requires before a buyer takes it seriously. Two rows free. Enter your email to unlock the full cheat sheet including Structure, Buyer Type, Timeline, and Cooper™'s insider note on each.
Three-act. Midpoint at page 55–60. All four quadrants must be present in the script.
Each episode: contained A-story + series-level B-story threading through. Finale resolves the central question.
Pilot establishes world, ensemble, and weekly engine. The pilot has to work alone.
One idea, linear time, must resolve. A short without an ending is a scene, not a film.
Studio, production company, streaming (prestige), or indie financier. Know which before you pitch — the package differs for each.
Streaming (Netflix, Max, Hulu, Peacock, Apple). Cable is increasingly limited-only. Know the platform's tone before targeting.
Broadcast networks, cable (FX, AMC), or broad-appeal streaming. Not prestige streaming — that's limited territory.
Festivals, branded content, or self-produced proof of concept. Not a buyer pitch — it's a calling card.
6–18 months from first pitch to option. Indie features can move in 3–6 months with the right package.
12–24 months from pitch to greenlight. The bible is what slows most creators — build it before you pitch.
18–36 months. Network development is the slowest pipeline. Premium cable/streaming is faster with the right attachment.
Self-determined. Festival submission windows are 6–8 months after production. Budget for a 6-month post window.